"You're not sick, you're just a person," says John Campbell. I had always taken this for granted, that being sick and tired and unfocused was part of being a person, especially a person recovering from college and a couple of years on an antidepressant. Apparently, though, lethargy, lack of focus, and depression are part of being allergic to milk.
My new doctor, an osteopath, has me hold allergens or touch pressure points while he plays a game Blade and I like to call "Flops or Not Flops" (F/NF). If the doctor pushes on my leg and I'm able to resist, then whatever allergen or pressure point I'm touching isn't a problem for me. But if it makes my leg flop down on the table, he runs more related tests to narrow down the problem. Using the patented F/NF method, Dr. Gelband of Naperville determined that my chief problem (besides being overmedicated) was milk. I'm allergic to milk. Apparently, I've been allergic to milk for a long time, but I've never been tested for it, because I didn't notice my stomach hurting.
Dr. Gelband backed up his F/NF New Age feel-goodery with a conventional x-ray. Behind my ribs, I could see what looked like an extra, coiled up bone. "That's food," Dr. Gelband told me. It was food in my intestine that had calcified. Because of milk. It wasn't necessarily making my stomach hurt, but it was keeping me from getting energy from any of my food.
Unlike someone who is lactose intolerant, I can't just take a pill with an enzyme to make it better. I just have to avoid dairy. I'm learning that we make most things with milk. Frozen vegetables or chicken are often injected with butter. Whey is in things like cookies; casein is sometimes used as a filler in over-the-counter drugs and tends to creep into all kinds of seemingly innocent foods, like soy cheese.
However, also unlike someone who is lactose intolerant, I am able to eat dairy-ish things, as long as they come from goat or sheep milk, like feta cheese. And I can eat some kinds of yogurt, as long as they have live cultures. I can even have some kinds of well-aged cheese, like Romano.
The safest foods are the ones marked vegan or parve. I can consistently eat Asian food, since most Asian food doesn't use milk at all. (When's the last time you had Chinese food with cheese or butter?) My doctor said, though, to be wary of Asian food places that are owned by Americans, because they might have changed the recipes and added milk to the soups and sauces. I eat a lot of fried rice, egg rolls, and extra-dark chocolate with almond milk, so that is nothing to complain about.
Almond milk and soy ice cream are delicious. This has not stopped me from having stress dreams about Dairy Queen.
---
'Cause calcium is deadly
But tender to the tooth
And it's one sure-fire way to know
If you're MX missile-proof
Or if you're just aloof.
Tuesday, October 6, 2009
Thursday, October 1, 2009
It's a job. It's a job.
Since graduation, I have only been unemployed for a total of one month. In fact, I am on four separate payrolls right now.
1. Teas and Toes, Glen Ellyn
2. Christian Youth Theater, DuPage
3. The Reading Tree, Downers Grove
4. Bundles of Books and Gifts, Glen Ellyn
It rather feels like my fifth job is getting healthy. Lately, I'm at the doctor about three times a week on average. But that's another post.
1. Teas and Toes, Glen Ellyn
I brew loose leaf tea and get to drink any leftover samples. I'm learning a lot about the health benefits of loose leaf tea, as well as the different sensitivities of different varieties. That accounts for the "Teas" part. The "Toes" part means that I prepare foot soaks -- hot river stones, deep copper bowls, detoxifying foot soaks, aroma therapeutic salts, rose petals -- and then clean up after the client has left. I also do a lot of explanations about the differences between a pedicure or traditional foot massage and a reflexology treatment. The best part is sitting in a zero-gravity chair.
2. Christian Youth Theater, DuPage
I teach the Advanced Improv class to 12-18 year olds. (In my class, it's more like 12-16 year olds.) Teaching middle and high school students is a whole different ballgame than teaching college students. Younger students are more likely to feel paralyzed by their peers' preconceptions and expectations. College freshmen and transfers still have that new-start feeling and don't think they've got each other pigeon holed before practice even starts. That accounts for some of it. But the CYT kids continually surprise me with fun character choices, and it makes me itchy to find a place to play again.
3. The Reading Tree, Downers Grove
Unlike the above jobs, this one does not have a regular, weekly schedule. The Reading Tree initially hired me to teach a sentence diagramming course, sort of a grammar boot camp, for kids transferring from public to private schools. They've kept me on their list of tutors and call me when they need someone to tutor a student in phonics, grammar, literature, or reading comprehension. This will get busier, I predict, after report cards come out and kids are threatened with groundings if they don't get those grades up.
4. Bundles of Books and Gifts, Glen Ellyn
This feels like volunteer work, but it's great. Basically, I categorize and shelve used books for a few hours per week. In return, I get store credit. That adds up to several free books every week. I spend most of my shelving time working on the mystery section and romance section, which seem to collect the most donations. I entertain myself by holding a contest (in my head) for most ridiculous title. The winner so far? Highland Vampire, a Harlequin(ish) romance. It's actually in it's second or third printing right now. The mind reels.
It rather feels like my fifth job is getting healthy. Lately, I'm at the doctor about three times a week on average. But that's another post.
Friday, August 7, 2009
We're all just taller children.
Meredith and I are in the process of moving to an apartment in Glen Ellyn. This is the first time I've ever had to sign a formal lease, complete with a realtor, credit checks, and proof of employment. That last bit is up to Meredith, since I'm on the job hunt.
My full time tutoring job in Oak Park is over. Now that I'm not spending 8 hours a day raising my voice to get the attention of ADD* kids, I've notice Frederick has moved out. (Frederick was the headache who moved into the back of my brain for about four weeks. It would be impolite not to name a pet who stays around for so long.) I can't say I miss Frederick.
I didn't realize how much it was all getting to me: asking the same question over and over without a response, searching the bathrooms and closets for hiding children, trying to hold off tantrums over everything from the sound "oi" makes to untied shoelaces. (There's no telling what will set off an OCD kid.)
For the moment, I'm a "coach" at a "grammar camp" at The Reading Tree. This means I teach a couple of kids to diagram sentences for two hours a day. I keep being amazed at simple things -- these kids answer questions when I ask. They make eye contact. They laugh at jokes. They make me feel sane. I want to give them hugs. But, since I've had training and experience with more severe kids, I'm valuable to the company. If they get a dyslexic or Autistic kid, I'm the one they'll call, and that will give me more clients.
I'm still looking for some kind of stable job, though, whether part or full time. But not this weekend. This weekend, I'm moving to a grown-up apartment with Meredith.
*I do not use the terms ADD or OCD lightly. These are kids who try so hard but can't pay attention, or who are so compulsive that they will wash their hands raw. The Oak Park kids were all either ADD, Autistic, dyslexic, or otherwise developmentally behind. I noticed several of them were adopted at the age of 4 or 5, meaning that, while other kids were learning their alphabet and basic problem solving skills, these kids were bouncing from one foster home or orphanage to another. That said, when one boy on the Autism spectrum throws a tantrum, the other spectrum kids get upset, and the ADD kids can't pay attention. Frederick didn't like it, either.
---
You're the same as you started
You just jump a little higher
Monday, July 13, 2009
You will be hearing from us shortly
Because of a Lindamood-Bell scheduling fluke, I have tomorrow (Tuesday) off. And because Lindamood-Bell is a seasonal job, I am spending tonight and tomorrow applying for more permanent jobs. So is my roommate. It makes us punchy.
I have applied to charter schools and coffee shops, children's museums and publishing houses, over 55 in all since I started sending out my resume in March. Dr. Gauthier said at church yesterday that searching for a job causes the same amount of stress in your body as the death of a family member. I am starting to believe him.
---
You feel adequate to the demands of this position?
What qualities to you feel you
Personally have to offer?
Let us consider your application form.
Your qualifications, though impressive, are
Not, we must admit, precisely what
We had in mind. Would you care
To defend your relevance?
Now your age. Perhaps you feel able
To make your own comment about that,
Too? We are conscious ourselves
Of the need for a candidate with precisely
The right degree of immaturity.
And now a delicate matter: your looks.
You do appreciate this work involves
Contact with the actual public? Might they,
Perhaps, find your appearance
Disturbing?
And your accent. That is the way
You have always spoken, is it? What
Of your education? Were
You educated? We mean, of course,
Where were you educated?
And how
Much of a handicap is that to you,
Would you say?
Married, children,
We see. The usual dubious
Desire to perpetuate what had better
Not have happened at all. We do not
Ask what domestic disasters shimmer
Behind that vaguely unsuitable address.
And where you born -- ?
So glad we agree.
- U. A. Fanthorpe
I have applied to charter schools and coffee shops, children's museums and publishing houses, over 55 in all since I started sending out my resume in March. Dr. Gauthier said at church yesterday that searching for a job causes the same amount of stress in your body as the death of a family member. I am starting to believe him.
---
You feel adequate to the demands of this position?
What qualities to you feel you
Personally have to offer?
Ah
Let us consider your application form.
Your qualifications, though impressive, are
Not, we must admit, precisely what
We had in mind. Would you care
To defend your relevance?
Indeed
Now your age. Perhaps you feel able
To make your own comment about that,
Too? We are conscious ourselves
Of the need for a candidate with precisely
The right degree of immaturity.
So glad we agree
And now a delicate matter: your looks.
You do appreciate this work involves
Contact with the actual public? Might they,
Perhaps, find your appearance
Disturbing?
Quite so
And your accent. That is the way
You have always spoken, is it? What
Of your education? Were
You educated? We mean, of course,
Where were you educated?
And how
Much of a handicap is that to you,
Would you say?
Married, children,
We see. The usual dubious
Desire to perpetuate what had better
Not have happened at all. We do not
Ask what domestic disasters shimmer
Behind that vaguely unsuitable address.
And where you born -- ?
Yes. Pity.
So glad we agree.
- U. A. Fanthorpe
Saturday, July 4, 2009
We create the magic of learning.
These are magic stones. They are plastic and shiny and cheap, and kids covet them. We use them at work to buy students' cooperation.
I'm working for the summer at a tutoring center. I work with eight students a day for one hour each. My youngest kid has been 8; my oldest thus far has been 17.
Most of the students are used to failure and have self-esteem problems. Part of my job is to keep that frustration away by using "positive error handling technique," which is a cross between improv's "Yes, And" principle and the Socratic method. Basically, when a kid gives a wrong answer, I'm supposed to affirm something about her response. Then, instead of telling her the answer, I'm supposed to help her figure it out for herself, then shower her with praise (in the form of stones) when she gets the answer right.
That works 80%, and it keeps morale up. But a few times a day, this error handling technique leads to one of the following sorts of conversations.
"George" is 14 years old. He has Autism, which means that he can read and remember words but can't necessarily picture what they mean.
Me: "The girl ran through the tall grass." What do those words make you picture?
George: The girl ran through the tall grass.
Me: Great! Those were the words. Now tell me what that made you picture in your head.
George: The girl ran through the tall grass.
Me: Yes, she did. What do you picture for the girl?
George: Ran through the tall grass.
Me: Yes, that's what she's doing. What does she look like?
George: The girl ran through the tall grass.
Me: Is the girl tall or short?
George: Tall grass.
Me: The grass is tall. You're right. What about the girl?
George: The girl ran through the tall grass.
More often, though, George just doesn't answer me, and I find myself wondering if I've turned mute or invisible, or maybe have just asked such an idiotic question that I'm not worth answering. After all, I'm repeating myself over and over, too, and we could be stuck in this perfect echolalial circle forever.
"John" is 12, athletic, and goofy. He spent pre-school through first grade in and out of the hospital for multiple heart surgeries, so he never caught on to phonics, much less reading.
<I hold up an "oi" flashcard.>
Me: What do these letters say?
John: "Aw."
Me: Oh, good, I did see vowels. When you say "aw," what's the first letter you picture?
John: W.
Me: Great! I did see a W in "aw." Did you see anything before the W?
John: O.
Me: You're right that there was another vowel before the W. What would O-W say?
John: "oi."
Me: Yeah, I definitely pictured an O in "oi." What's the second letter you picture in "oi"?
John: H.
Me: H is a letter, you're right. Let's look at the card again.
John: Ee.
Me: I would hear a little "ee" sound in there at the end. How would you say the whole thing?
John: I!
Me: Oh! I did see an I in there. Did you see it coming first or last?
John: In the middle.
Me: Um, ok.This actually says oi.
John: That's what I said!
Me: You did say parts of it, you're right. Touch the card and say it again.
John: Oi.
Me: GREAT! Give me a high five! You got it! Let's see how fast we can do the next ones, ok?
<I hold up F, Qu, Ee, Ll, and Oi, to see if he can remember Oi when he's not thinking so hard.>
John: Fff! Qua! Ee! Lll! Ooo!
Me: You got those first several perfectly! Let's look at this last one. What's that second letter?
John: I.
Me: Awesome! So what do O and I say when they're together?
John: Aw.
He is so insistent that I wonder if I need my glasses prescription updated, or if I actually remember what O and I say together. That particular curriculum is called Seeing Stars, which is what I do after an hour of desperately blurting out anything positive I can say.
Those are my two most severe kids so far. The others correct themselves pretty easily, they respond to questions, they read Frog and Toad Are Friends with me, and, best of all, they are easily bribed with magic stones. As a temporary job, it definitely beats data entry. At the end of the summer, though, the kids will head back to regular school, and I could be unemployed again.
I may attach baggies of magic stones to my application cover letters from now on.
I'm working for the summer at a tutoring center. I work with eight students a day for one hour each. My youngest kid has been 8; my oldest thus far has been 17.
Most of the students are used to failure and have self-esteem problems. Part of my job is to keep that frustration away by using "positive error handling technique," which is a cross between improv's "Yes, And" principle and the Socratic method. Basically, when a kid gives a wrong answer, I'm supposed to affirm something about her response. Then, instead of telling her the answer, I'm supposed to help her figure it out for herself, then shower her with praise (in the form of stones) when she gets the answer right.
That works 80%, and it keeps morale up. But a few times a day, this error handling technique leads to one of the following sorts of conversations.
"George" is 14 years old. He has Autism, which means that he can read and remember words but can't necessarily picture what they mean.
Me: "The girl ran through the tall grass." What do those words make you picture?
George: The girl ran through the tall grass.
Me: Great! Those were the words. Now tell me what that made you picture in your head.
George: The girl ran through the tall grass.
Me: Yes, she did. What do you picture for the girl?
George: Ran through the tall grass.
Me: Yes, that's what she's doing. What does she look like?
George: The girl ran through the tall grass.
Me: Is the girl tall or short?
George: Tall grass.
Me: The grass is tall. You're right. What about the girl?
George: The girl ran through the tall grass.
More often, though, George just doesn't answer me, and I find myself wondering if I've turned mute or invisible, or maybe have just asked such an idiotic question that I'm not worth answering. After all, I'm repeating myself over and over, too, and we could be stuck in this perfect echolalial circle forever.
"John" is 12, athletic, and goofy. He spent pre-school through first grade in and out of the hospital for multiple heart surgeries, so he never caught on to phonics, much less reading.
<I hold up an "oi" flashcard.>
Me: What do these letters say?
John: "Aw."
Me: Oh, good, I did see vowels. When you say "aw," what's the first letter you picture?
John: W.
Me: Great! I did see a W in "aw." Did you see anything before the W?
John: O.
Me: You're right that there was another vowel before the W. What would O-W say?
John: "oi."
Me: Yeah, I definitely pictured an O in "oi." What's the second letter you picture in "oi"?
John: H.
Me: H is a letter, you're right. Let's look at the card again.
John: Ee.
Me: I would hear a little "ee" sound in there at the end. How would you say the whole thing?
John: I!
Me: Oh! I did see an I in there. Did you see it coming first or last?
John: In the middle.
Me: Um, ok.
John: That's what I said!
Me: You did say parts of it, you're right. Touch the card and say it again.
John: Oi.
Me: GREAT! Give me a high five! You got it! Let's see how fast we can do the next ones, ok?
<I hold up F, Qu, Ee, Ll, and Oi, to see if he can remember Oi when he's not thinking so hard.>
John: Fff! Qua! Ee! Lll! Ooo!
Me: You got those first several perfectly! Let's look at this last one. What's that second letter?
John: I.
Me: Awesome! So what do O and I say when they're together?
John: Aw.
Those are my two most severe kids so far. The others correct themselves pretty easily, they respond to questions, they read Frog and Toad Are Friends with me, and, best of all, they are easily bribed with magic stones. As a temporary job, it definitely beats data entry. At the end of the summer, though, the kids will head back to regular school, and I could be unemployed again.
I may attach baggies of magic stones to my application cover letters from now on.
Labels:
criticism,
job search,
strange conversation,
summer,
tutoring
Saturday, May 16, 2009
Well, in this economy ...
I have followed Career Service's advice this semester and applied for jobs. Lots of jobs. Over 50 at this point, everything Monster, CareerBuilder and Craigslist could give me for the Chicago Area. I've sent my resume everywhere from the American Girl Place to the American Nuclear Society.
Last week, I got an email asking for a phone interview about a comedy writing position. I'll call the interviewer "Gary." I was slightly suspicious to begin with, since Googling the nonsense words in Gary's email signature pulled up an inordinant number of furry event calendars. I didn't want to jump to conclusions, but I did spend most of the following conversation trying hard to avoid imagining Gary in a fox costume.
Me: What kind of comedy writers are you looking for?
Gary: Funny ones.
Me: Right. What kind, though? Stage? Screen? Sketch?
Gary: Screen. We're working on a sitcom.
Me: What's the premise?
Gary: I can't tell you a lot, since it hasn't come out yet, and there are intellectual property laws. I can tell you it's about an oddly matched set of roommates.
My head: Like Friends or Gilligan's Island or Laverne and Shirley or the Odd Couple or Three's Company or Will and Grace or ... or ... or ...
Me: What level of content are you looking for?
Gary: Dense. Juicy. More Simpsons than Family Guy.
Me: How will it be rated?
Gary: Highly, I hope. We're shooting for a big audience.
Me: I guess I'm trying to find out what your target audience is. What kind of comedy is this?
Gary: Why do you care? Is there any kind of comedy you won't write?
Me: Well, I'm a Christian, so there are some boundaries I'll want to respect.
Gary: We are into pushing boundaries here. Why don't you come by the office, and we'll see if you're a good match for our team. Is this weekend good?
Me: Would next week work? I'm graduating from college this weekend.
Gary: Congratulations! What college?
Me: Wheaton College.
Gary: Oh. So the Christian thing ... that wasn't a joke?
Me: No.
Gary: You're serious?
Me: Yes.
Gary: Christians make me want to gouge out my own eyes.
Me: Ok.
Gary: Also, you might as well know, this sitcom is going to be mostly NC17/X. A Wheaton graduate wouldn't be a good fit for us.
Me: Probably not. Thanks for your time.
That is one for the Career Services webpage.
I'm glad he told me he was looking for comedic porn (pornographic comedy?) writers before I took a trip into the city to interview in person.
And so job search continues.
Last week, I got an email asking for a phone interview about a comedy writing position. I'll call the interviewer "Gary." I was slightly suspicious to begin with, since Googling the nonsense words in Gary's email signature pulled up an inordinant number of furry event calendars. I didn't want to jump to conclusions, but I did spend most of the following conversation trying hard to avoid imagining Gary in a fox costume.
Me: What kind of comedy writers are you looking for?
Gary: Funny ones.
Me: Right. What kind, though? Stage? Screen? Sketch?
Gary: Screen. We're working on a sitcom.
Me: What's the premise?
Gary: I can't tell you a lot, since it hasn't come out yet, and there are intellectual property laws. I can tell you it's about an oddly matched set of roommates.
My head: Like Friends or Gilligan's Island or Laverne and Shirley or the Odd Couple or Three's Company or Will and Grace or ... or ... or ...
Me: What level of content are you looking for?
Gary: Dense. Juicy. More Simpsons than Family Guy.
Me: How will it be rated?
Gary: Highly, I hope. We're shooting for a big audience.
Me: I guess I'm trying to find out what your target audience is. What kind of comedy is this?
Gary: Why do you care? Is there any kind of comedy you won't write?
Me: Well, I'm a Christian, so there are some boundaries I'll want to respect.
Gary:
Me: Would next week work? I'm graduating from college this weekend.
Gary: Congratulations! What college?
Me: Wheaton College.
Gary: Oh. So the Christian thing ... that wasn't a joke?
Me: No.
Gary: You're serious?
Me: Yes.
Gary: Christians make me want to gouge out my own eyes.
Me: Ok.
Gary: Also, you might as well know, this sitcom is going to be mostly NC17/X. A Wheaton graduate wouldn't be a good fit for us.
Me: Probably not. Thanks for your time.
That is one for the Career Services webpage.
I'm glad he told me he was looking for comedic porn (pornographic comedy?) writers before I took a trip into the city to interview in person.
And so job search continues.
Labels:
comedy,
job search,
strange conversation,
Wheaton
Friday, May 1, 2009
And I didn't know this, either.
I submitted a collage to Kodon to see what an art rejection letter looked like.
I didn't find out. Instead, I got published.* It has been four years now, and I do not suppose I will ever understand Wheaton College.
Title: Bird watching
Medium: Christianity Today, Vogue, packing tape
*My writing, on the other hand, was rejected entirely, including the poem from the previous post.
I didn't find out. Instead, I got published.* It has been four years now, and I do not suppose I will ever understand Wheaton College.
Title: Bird watching
Medium: Christianity Today, Vogue, packing tape
*My writing, on the other hand, was rejected entirely, including the poem from the previous post.
Tuesday, April 28, 2009
And I didn't know it.
As is customary for a self-respecting writing major, I entered Wheaton's Lowell-Grabel creative writing contest. This year's judge was Wheaton alumna and religion journalist Cathleen Falsani, whose book Sin Boldly I read recently and whose blog I have found well worth stalking. She was beyond encouraging at the awards ceremony.
Duke was awarded first place in creative nonfiction and third place in fiction. I was awarded second place in creative nonfiction and -- get this -- first place in poetry.
Yeah. Poetry. I know.
The poem is about when my family joined Highland Terrace when I was 14 and sulky.
---
One Baptism: A Sestina
I was baptized in the name
of the Father, Son and Holy Spirit
with my father, mother and brother
by a preacher dressed like a fisherman
to keep himself from getting wet.
I was dunked into the heated baptistery
lit by a stained glass dove glowing neon above the baptistery.
The preacher, the Brother, often forgot my name
and, whether because we were related by Spirit
or just out of habit, called me Brother,
forgetting not every Baptist is a man.
He himself refused to get wet,
guarded against getting wet
by wearing rubber pants in the baptistery
under the neon stained glass dove named
(or just symbolic of) the Holy Spirit.
I do not remember how my brother
felt about this preacher, this man
who wanted my dad baptized as a man
because getting his baby head sprinkled wet
by Methodists didn’t count. The chlorinated baptistery,
heated from below and lit from above, named
us as church-members. The spirit
of the thing was lost on my soggy little brother
and my skeptical self. I acknowledge one brother
(who now is grown, practically a man)
as mine, not this preacher, wet
with sweat and sermon spit -- not baptistery
water -- from getting carried away in the Lord’s name,
and I am certainly not his brother, even in spirit.
Was it the same neon stained dove Spirit
shining over my parents and brother
and me who hovered over God-made-Man,
the Man who volunteered to get wet
in his cousin’s muddy makeshift baptistery,
cold with slime and fish, and heard his name?
This brother-man in the baptistery would not get wet, even in the name of the spirit.
*Blade and Steve should be given some of this credit, since they have endured more than their share of Duke's and my rough drafts.
Duke was awarded first place in creative nonfiction and third place in fiction. I was awarded second place in creative nonfiction and -- get this -- first place in poetry.
Yeah. Poetry. I know.
The poem is about when my family joined Highland Terrace when I was 14 and sulky.
---
One Baptism: A Sestina
I was baptized in the name
of the Father, Son and Holy Spirit
with my father, mother and brother
by a preacher dressed like a fisherman
to keep himself from getting wet.
I was dunked into the heated baptistery
lit by a stained glass dove glowing neon above the baptistery.
The preacher, the Brother, often forgot my name
and, whether because we were related by Spirit
or just out of habit, called me Brother,
forgetting not every Baptist is a man.
He himself refused to get wet,
guarded against getting wet
by wearing rubber pants in the baptistery
under the neon stained glass dove named
(or just symbolic of) the Holy Spirit.
I do not remember how my brother
felt about this preacher, this man
who wanted my dad baptized as a man
because getting his baby head sprinkled wet
by Methodists didn’t count. The chlorinated baptistery,
heated from below and lit from above, named
us as church-members. The spirit
of the thing was lost on my soggy little brother
and my skeptical self. I acknowledge one brother
(who now is grown, practically a man)
as mine, not this preacher, wet
with sweat and sermon spit -- not baptistery
water -- from getting carried away in the Lord’s name,
and I am certainly not his brother, even in spirit.
Was it the same neon stained dove Spirit
shining over my parents and brother
and me who hovered over God-made-Man,
the Man who volunteered to get wet
in his cousin’s muddy makeshift baptistery,
cold with slime and fish, and heard his name?
This brother-man in the baptistery would not get wet, even in the name of the spirit.
*Blade and Steve should be given some of this credit, since they have endured more than their share of Duke's and my rough drafts.
Wednesday, April 22, 2009
Healing
An excerpt from an essay I'm working on concerning the seven sacraments.
-------
Your new dentist asked you how long your mouth had been full of ulcers.
Oh, always.
She diagnosed you with an allergy to a chemical found in most regular and whitening toothpastes. She did not need to write a prescription, but she did recommend that you switch to toothpaste for sensitive teeth.
That’s all?
That’s all.
After a few days, it no longer hurt to eat. Within a week, you were able to drink orange juice or salt your eggs without so much as a wince.
Your new dentist warned you never to use the old toothpaste again, not even a little, not even if it’s the only convenient toothpaste around. That would be like touching only a little poison ivy.
You didn’t need to be told twice.
You couldn’t believe you’d never thought to ask your old dentist why your mouth hurt all the time. You assumed it was supposed to hurt. Was all healing that simple? Were you really not supposed to hurt all the time? Was asking all it took?
-------
Your new dentist asked you how long your mouth had been full of ulcers.
Oh, always.
She diagnosed you with an allergy to a chemical found in most regular and whitening toothpastes. She did not need to write a prescription, but she did recommend that you switch to toothpaste for sensitive teeth.
That’s all?
That’s all.
After a few days, it no longer hurt to eat. Within a week, you were able to drink orange juice or salt your eggs without so much as a wince.
Your new dentist warned you never to use the old toothpaste again, not even a little, not even if it’s the only convenient toothpaste around. That would be like touching only a little poison ivy.
You didn’t need to be told twice.
You couldn’t believe you’d never thought to ask your old dentist why your mouth hurt all the time. You assumed it was supposed to hurt. Was all healing that simple? Were you really not supposed to hurt all the time? Was asking all it took?
Monday, March 2, 2009
"Who do you say that I am?"
Jim Young, the founder of Wheaton's Arena Theater, used to say, "I keep finding Jesus in places I thought he had no business being." Arena continues the tradition of looking for God in unlikely places in a class called Church and Theater.
The thesis: Theater asks questions, and the church provides a safe, nurturing context in which to wrestle with those questions. So how do we go about asking those questions in artistic ways that point people toward God?
Christians, especially Christians in the arts, cannot ignore the media's portrayal of Jesus. We have to trust that our faith is solid enough to stand being rattled around some. The first half of the semester, then, is about who our culture says Jesus is. This translates into our watching a lot of heretical movies.
---
Yiimimangaliso: The Mysteries
In the tradition of medieval mystery plays, Yiimimangaliso hits the high points of the redemption story from creation to Pentacost. The company is from South African.
The story of God's relationship with humanity is told mostly through percussion and dance, with smatterings of English, Afrikaans, Zulu and Xhosa. Angels wear chicken feathers. Adam and Eve are completely nude. Lucifer wears red pleather. Noah's flood mostly uses a watering can, and Jesus' entire childhood is depicted in a short, rhythmic game.
The only thing I can picture being offensive (unless you find dance in church offensive) is the occasional resemblance to minstrel shows. The company, though, is South African, not African American, so I don't know their familiarity with minstrelsy.
---
Leonard Bernstein's Mass
Unlike the other pieces we've talked about together, Bernstein's not-exactly-a-musical-and-not-quite-an-opera-and-certainly-not-a-straight-Mass is the only one that does not portray Jesus explicitly. The Celebrant and choir sing the traditional Latin text for the Mass, and they are interrupted periodically by parishioners voicing their doubts and demands. The chaos eventually takes its toll on the Celebrant (pastor). The congregation turns on him and demands he fix their lives. He eventually burns out, drops the chalice, and notices for the first time that red wine isn't red at all, but sort of brown and blue. He also rhymes "Adonai" with "I don't know," which gets him major points in my nerdy writing major book.
Some Wheaton friends accuse me of cynicism about the church, but I grew up in Greenville, Texas. Specifically, I grew up in Aldersgate (nondenominational) and then Highland Terrace (Southern Baptist), which gives me a juicy background of having some pastors being run off and other pastors running off on their own, all while their congregations squabble over nothing in particular. Bernstein's Mass portrays the church not as it should be but as it often is -- rich in history and truth but filled with people who are sometimes actively destructive, sometimes hypocritical, sometimes quietly struggling, and pastors aren't immune.
I have listened to the soundtrack on my own at least five times since we heard it in class.
---
Chocolate Jesus
Cosimo Cavallaro exhibited his anatomically correct sculpture of Jesus during Holy Week 2007. It is entirely chocolate. We could neither confirm nor deny Cavallaro's interest in Tom Waits' Mule Variations.
I am less offended by this now that Walgreens has their Easter candy out. There are chocolate crosses right there next to the bunnies and eggs. They are four dollars. I am much more offended by those than by the Cavallaro sculpture. We are supposed to eat the body of Christ, though it is usually somewhat healthier -- a torn piece of bread or an oyster cracker.
There is nothing cute about this Cavallaro's Jesus. He is naked and in pain. The crosses at Walgreens were adorable enough to make you forget they were instruments of torture. Nobody eats chocolate electric chairs or even chocolate guns.
---
Jesus of Montreal
It's 1988, and a Canadian bishop asks a young director to revamp the parish's decades-old passion play. The director gathers actors -- some with more experience in beer commercials than any other venue -- and revamps not only the presentation of the Passion story but also the entire script, incorporating recent archeological digs in the Palestine and soliloquys from Hamlet. The Catholic church is not pleased.
As the film goes on, the actors get their own identities entangled with their characters, and the movie becomes allegorical. The actors are disciples. The director is Jesus. A slick lawyer is Satan. A film studio is the temple. Art is religion.
That last bit is where I have the hiccough: It seems like art turns into a replacement religion somewhere along the way. That, as well as a few stray comments about everyone finding their own seperate paths to salvation, is probably why the movie was considered so offensive. Unless I missed something, which is possible, since the movie was in French and subtitles don't always cut it.
Oh, and crucifixion is crucifixion, and ____ ______ is resurrection. I won't ruin it for you; see the movie.
---
But I am about to ruin another movie, because neither its craft nor its theology earn it a recommendation.
The Last Temptation of Christ
I once heard a speaker at a youth camp say that, ever since this movie came out, he's boycotted everything by anyone involved in the abomination, and he encouraged us to do the same. (I know David Bowie's pocketbook is seriously hurting from losing his teenage Southern Baptist demographic after his role as Pontius Pilate.)
Willem Dafoe is a kind of anti-Christ, not in a Tim LaHaye/Jerry B. Jenkins sense, but in that his attitude is opposite of Christ's in almost every scene. Scorsese's Christ is not sinless, he's just too cowardly to commit any particularly noteworthy sins. He wants to be a regular guy, but God won't leave him alone. Neither will Satan, for that matter. As a result, he comes down off the cross, gets married a few times, has kids, chews out Paul for misrepresenting him. Judas acts like the only one with much sense at all; despite Judas' best efforts, Jesus has ruined humanity's chance at salvation. Maybe there are other interpretations, but that's what came across after one (admittedly sleepy) viewing.
Any Christians left in the theater probably walked out by the Jesus/Mary Magdelene sex scene (which our professor graciously censored), but they missed the big surprise twist at the end of the movie:
It was a dream. The whole time. Like Dorothy and Donnie, Jesus has a vision of an outrageous scenario in which he escapes the regular world and has a chance to do what he's always wanted to do. Then he wakes up, back on the cross, and the credits roll in all their 80's majesty. Peter Gabriel sings.
It's like bad Bible fanfiction. As far as craft goes, Last Temptation is to film as Left Behind is to literature. It just happens to swing crazy-liberal instead of crazy-conservative. I don't know which one is more upsetting. Last Temptation is more blasphemous, but Left Behind is more misleading. At least Scorsese disclaimed at the beginning that his film is not based at all on the Gospels, while LaHaye and Jenkins are marketed like their novels are realistic portrayals of Revelation.
---
The media saturates us with its own images of Jesus and the church. They are loudest when they use a microphone and megaphone at the same time. What are they finding out about him when they come to church?
The thesis: Theater asks questions, and the church provides a safe, nurturing context in which to wrestle with those questions. So how do we go about asking those questions in artistic ways that point people toward God?
Christians, especially Christians in the arts, cannot ignore the media's portrayal of Jesus. We have to trust that our faith is solid enough to stand being rattled around some. The first half of the semester, then, is about who our culture says Jesus is. This translates into our watching a lot of heretical movies.
---
Yiimimangaliso: The Mysteries
In the tradition of medieval mystery plays, Yiimimangaliso hits the high points of the redemption story from creation to Pentacost. The company is from South African.
The story of God's relationship with humanity is told mostly through percussion and dance, with smatterings of English, Afrikaans, Zulu and Xhosa. Angels wear chicken feathers. Adam and Eve are completely nude. Lucifer wears red pleather. Noah's flood mostly uses a watering can, and Jesus' entire childhood is depicted in a short, rhythmic game.
The only thing I can picture being offensive (unless you find dance in church offensive) is the occasional resemblance to minstrel shows. The company, though, is South African, not African American, so I don't know their familiarity with minstrelsy.
---
Leonard Bernstein's Mass
Unlike the other pieces we've talked about together, Bernstein's not-exactly-a-musical-and-not-quite-an-opera-and-certainly-not-a-straight-Mass is the only one that does not portray Jesus explicitly. The Celebrant and choir sing the traditional Latin text for the Mass, and they are interrupted periodically by parishioners voicing their doubts and demands. The chaos eventually takes its toll on the Celebrant (pastor). The congregation turns on him and demands he fix their lives. He eventually burns out, drops the chalice, and notices for the first time that red wine isn't red at all, but sort of brown and blue. He also rhymes "Adonai" with "I don't know," which gets him major points in my nerdy writing major book.
Some Wheaton friends accuse me of cynicism about the church, but I grew up in Greenville, Texas. Specifically, I grew up in Aldersgate (nondenominational) and then Highland Terrace (Southern Baptist), which gives me a juicy background of having some pastors being run off and other pastors running off on their own, all while their congregations squabble over nothing in particular. Bernstein's Mass portrays the church not as it should be but as it often is -- rich in history and truth but filled with people who are sometimes actively destructive, sometimes hypocritical, sometimes quietly struggling, and pastors aren't immune.
I have listened to the soundtrack on my own at least five times since we heard it in class.
---
Chocolate Jesus
Cosimo Cavallaro exhibited his anatomically correct sculpture of Jesus during Holy Week 2007. It is entirely chocolate. We could neither confirm nor deny Cavallaro's interest in Tom Waits' Mule Variations.
I am less offended by this now that Walgreens has their Easter candy out. There are chocolate crosses right there next to the bunnies and eggs. They are four dollars. I am much more offended by those than by the Cavallaro sculpture. We are supposed to eat the body of Christ, though it is usually somewhat healthier -- a torn piece of bread or an oyster cracker.
There is nothing cute about this Cavallaro's Jesus. He is naked and in pain. The crosses at Walgreens were adorable enough to make you forget they were instruments of torture. Nobody eats chocolate electric chairs or even chocolate guns.
---
Jesus of Montreal
It's 1988, and a Canadian bishop asks a young director to revamp the parish's decades-old passion play. The director gathers actors -- some with more experience in beer commercials than any other venue -- and revamps not only the presentation of the Passion story but also the entire script, incorporating recent archeological digs in the Palestine and soliloquys from Hamlet. The Catholic church is not pleased.
As the film goes on, the actors get their own identities entangled with their characters, and the movie becomes allegorical. The actors are disciples. The director is Jesus. A slick lawyer is Satan. A film studio is the temple. Art is religion.
That last bit is where I have the hiccough: It seems like art turns into a replacement religion somewhere along the way. That, as well as a few stray comments about everyone finding their own seperate paths to salvation, is probably why the movie was considered so offensive. Unless I missed something, which is possible, since the movie was in French and subtitles don't always cut it.
Oh, and crucifixion is crucifixion, and ____ ______ is resurrection. I won't ruin it for you; see the movie.
---
But I am about to ruin another movie, because neither its craft nor its theology earn it a recommendation.
The Last Temptation of Christ
I once heard a speaker at a youth camp say that, ever since this movie came out, he's boycotted everything by anyone involved in the abomination, and he encouraged us to do the same. (I know David Bowie's pocketbook is seriously hurting from losing his teenage Southern Baptist demographic after his role as Pontius Pilate.)
Willem Dafoe is a kind of anti-Christ, not in a Tim LaHaye/Jerry B. Jenkins sense, but in that his attitude is opposite of Christ's in almost every scene. Scorsese's Christ is not sinless, he's just too cowardly to commit any particularly noteworthy sins. He wants to be a regular guy, but God won't leave him alone. Neither will Satan, for that matter. As a result, he comes down off the cross, gets married a few times, has kids, chews out Paul for misrepresenting him. Judas acts like the only one with much sense at all; despite Judas' best efforts, Jesus has ruined humanity's chance at salvation. Maybe there are other interpretations, but that's what came across after one (admittedly sleepy) viewing.
Any Christians left in the theater probably walked out by the Jesus/Mary Magdelene sex scene (which our professor graciously censored), but they missed the big surprise twist at the end of the movie:
It was a dream. The whole time. Like Dorothy and Donnie, Jesus has a vision of an outrageous scenario in which he escapes the regular world and has a chance to do what he's always wanted to do. Then he wakes up, back on the cross, and the credits roll in all their 80's majesty. Peter Gabriel sings.
It's like bad Bible fanfiction. As far as craft goes, Last Temptation is to film as Left Behind is to literature. It just happens to swing crazy-liberal instead of crazy-conservative. I don't know which one is more upsetting. Last Temptation is more blasphemous, but Left Behind is more misleading. At least Scorsese disclaimed at the beginning that his film is not based at all on the Gospels, while LaHaye and Jenkins are marketed like their novels are realistic portrayals of Revelation.
---
The media saturates us with its own images of Jesus and the church. They are loudest when they use a microphone and megaphone at the same time. What are they finding out about him when they come to church?
Ain't it crazy
What's revealed when you're not looking all that close
Ain't it crazy
How we put to death the ones we need the most?
Thursday, February 26, 2009
I would never budge till Spring crept over my windowsill.
Lately, I have been sleeping an average of fourteen hours a day. Some days it is closer to twelve. Yesterday it was closer to sixteen. Regardless, it is too much sleep.
I finally got in to my doctor and told her my concerns: I am sleeping as much as I slept when I was depressed, except I feel fine when I'm awake. I do not have much of an appetite, but I seem to be gaining weight.
My doctor's diagnosis: Hibernation. I have been hibernating. People do not hibernate. Squirrels hibernate.
Among the factors that have triggered this denning are:
As for the anti-depressant, it is time to scale it back. I will be tapering off of Effexor, which I've taken for two years, and switching to the milder Cymbalta, which is a much more attractive name for a drug. It makes me think of Cymbeline, though I do not take that as an unequivically good sign, since there are several poisoning attempts in that play.
---
I finally got in to my doctor and told her my concerns: I am sleeping as much as I slept when I was depressed, except I feel fine when I'm awake. I do not have much of an appetite, but I seem to be gaining weight.
My doctor's diagnosis: Hibernation. I have been hibernating. People do not hibernate. Squirrels hibernate.
Among the factors that have triggered this denning are:
- endless Illinois winter darkness
- cold that makes it painful to go outside
- richness of filling winter food
- side effects of medication
As for the anti-depressant, it is time to scale it back. I will be tapering off of Effexor, which I've taken for two years, and switching to the milder Cymbalta, which is a much more attractive name for a drug. It makes me think of Cymbeline, though I do not take that as an unequivically good sign, since there are several poisoning attempts in that play.
---
"Well Water"
What a girl called "the dailiness of life"
(Adding an errand to your errand. Saying,
"Since you're up ..." Making you a means to
A means to a means to) is well water
Pumped from an old well at the bottom of the world.
The pump you pump the water from is rusty
And hard to move and absurd, a squirrel-wheel
A sick squirrel turns slowly, through the sunny
Inexorable hours. And yet sometimes
The wheel turns of its own weight, the rusty
Pump pumps over your sweating face the clear
Water, cold, so cold! you cup your hands
And gulp from them the dailiness of life.
- Randall Jarrell
Thursday, February 5, 2009
Icicles falling in the dark
Yesterday, the thermometer showed almost forty degrees. I felt like I should be in shorts or a dress.
Last night I stayed up trying to tell the difference between a draft of a poem and an outline of an essay. According to my poet-friends, the line break is what distinguishes poetry from prose, but outlines have line breaks, too.
While I tried to puzzle this out, there was a crash. Then another. Then another. It sounded like the house was being shelled, like I should wake up the girls and sandbag us all into the basement.
It was the icicles falling off the roof. Huge icicles, as big around as my arm, and sharp at the ends in the way that icicles typically are. They had time to get that big and terrifying during the coldest week I can ever remember.
So, the Sun, thanks for coming. I really appreciate it. But you pissed off Winter, and now someone could get impaled. Really, we should coordinate this better.
---
But it's so hard to dance that way
When it's cold and there's no music
Well, your old hometown's so far away
But inside your head there's a record that's playing
A song called hold on.
Last night I stayed up trying to tell the difference between a draft of a poem and an outline of an essay. According to my poet-friends, the line break is what distinguishes poetry from prose, but outlines have line breaks, too.
While I tried to puzzle this out, there was a crash. Then another. Then another. It sounded like the house was being shelled, like I should wake up the girls and sandbag us all into the basement.
It was the icicles falling off the roof. Huge icicles, as big around as my arm, and sharp at the ends in the way that icicles typically are. They had time to get that big and terrifying during the coldest week I can ever remember.
So, the Sun, thanks for coming. I really appreciate it. But you pissed off Winter, and now someone could get impaled. Really, we should coordinate this better.
---
But it's so hard to dance that way
When it's cold and there's no music
Well, your old hometown's so far away
But inside your head there's a record that's playing
A song called hold on.
Wednesday, January 28, 2009
It feels like years since you've been here.
Dear the sun,
Hey, how are you? More importantly, where are you?
We all miss you. No one even makes eye contact walking down the sidewalk. We stare at our boots and hide in our scarves.
Right now it feels like you've never been here, like we've lived like this forever, like nothing will ever change. Things have lost their warmth and color.
I know I've gotten upset at you before for coming on too strong, even for burning me, but all that's behind us now. Forgive me for complaining? I want you to come back. I miss you.
Love and tearcicles,
Alyssa
Hey, how are you? More importantly, where are you?
We all miss you. No one even makes eye contact walking down the sidewalk. We stare at our boots and hide in our scarves.
Right now it feels like you've never been here, like we've lived like this forever, like nothing will ever change. Things have lost their warmth and color.
I know I've gotten upset at you before for coming on too strong, even for burning me, but all that's behind us now. Forgive me for complaining? I want you to come back. I miss you.
Love and tearcicles,
Alyssa
Monday, January 19, 2009
The Male and the Floss
Dentists don't bother me. Dental hygienists make me nervous.
My old dentist retired, so I had to go to a new dentist over Christmas. This meant a new dental hygienist. I was used to the hygienist who asked me open-ended questions, usually about Harry Potter, and then stuck her hands in my mouth before I could answer.
The new dental hygienist's tactics are rather different.
"You don't floss enough. You know, not flossing has been linked to prostate cancer."
If her hands hadn't been in my mouth, I would have explained to her that I've already taken measures to prevent getting prostate cancer. Namely, I don't have a prostate.
To be sure, I have done extensive research. My findings report that people with prostates don't cry in the candy aisle at Walgreens because they're overwhelmed by the selection and can't decide what kind of chocolate they want.* I am officially disqualified.
*Thankfully, I have a boyfriend who is tolerant of this, and who surprised me with a back-up Reeses in case I changed my mind about the M&M's.
My old dentist retired, so I had to go to a new dentist over Christmas. This meant a new dental hygienist. I was used to the hygienist who asked me open-ended questions, usually about Harry Potter, and then stuck her hands in my mouth before I could answer.
The new dental hygienist's tactics are rather different.
"You don't floss enough. You know, not flossing has been linked to prostate cancer."
If her hands hadn't been in my mouth, I would have explained to her that I've already taken measures to prevent getting prostate cancer. Namely, I don't have a prostate.
To be sure, I have done extensive research. My findings report that people with prostates don't cry in the candy aisle at Walgreens because they're overwhelmed by the selection and can't decide what kind of chocolate they want.* I am officially disqualified.
*Thankfully, I have a boyfriend who is tolerant of this, and who surprised me with a back-up Reeses in case I changed my mind about the M&M's.
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